{"id":244,"date":"2024-02-01T10:01:51","date_gmt":"2024-02-01T10:01:51","guid":{"rendered":"https:\/\/neuromatic.uni-ak.ac.at\/?page_id=244"},"modified":"2024-02-06T09:40:49","modified_gmt":"2024-02-06T09:40:49","slug":"publications","status":"publish","type":"page","link":"https:\/\/neuromatic.uni-ak.ac.at\/index.php\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n

Featured Projekt in Scilog, das Wissenschaftsmagazin des FWF, 11.09.2023<\/h2>\n\n\n\n

“Technische Entwicklungen dringen immer mehr in pers\u00f6nliche Lebensbereiche vor. Das wirft gesellschaftlich relevante Fragen auf. Um diese sichtbar zu machen, nutzt Margarete Jahrmann als k\u00fcnstlerisch Forschende einen spielerischen Ansatz: Mit ihrer \u201eLudic Method\u201c und mit Live-Performances motiviert sie zum Nachdenken \u00fcber Gehirnscans, Privatsph\u00e4re und Flowzust\u00e4nde.” <\/p>\n\n\n\n

https:\/\/scilog.fwf.ac.at\/magazin\/das-spiel-mit-den-gehirndaten<\/a><\/p>\n\n\n\n

Publications<\/h2>\n\n\n\n

Jahrmann M (2023). Ludic Method Ouvroir. Experimenteller FLOW, Kunst und Wissenschaft.<\/strong>
In: Radikale Universit\u00e4t, Universit\u00e4ten in Zeiten globaler Umbr\u00fcche. Die Angewandte und Rektor Gerald Bast. Hrsg: Universit\u00e4t f\u00fcr angewandte Kunst Wien. Edition Angewandte, Walter de Gruyter GmbH, Berlin\/Boston. (in print) https:\/\/doi.org\/10.31235\/osf.io\/4czrk E-Book, https:\/\/doi.org\/10.1515\/9783111341675<\/a>. <\/p>\n\n\n\n

Jahrmann M (2023). Experimental AI, Art&Play Performances: Hybrid Ludic Assemblages.<\/strong>
In: Dreyfuss, R, Pluta, I. Live performance and Video Games. Transkript, Z\u00fcrich<\/p>\n\n\n\n

Dobrosovestnova A, Coeckelbergh A, Jahrmann M. (2021). Critical Art with Brain-computer Interfaces: insights from Neuromatic Game Art Project.<\/strong>
In: C. Stephanidis et al. (Eds.) HCI International 2021 \u2013 Late Breaking Papers Cognition, Inclusion, Learning, and Culture. Springer Nature, LNCS 13096, pp. 558\u2013574, 2021. http:\/\/dx.doi.org\/10.1007\/978-3-030-90328-2_38<\/a><\/p>\n\n\n\n

Jahrmann M (2021). LUDICS: The Art of Play and Societal Impact.<\/strong>
In: Franke, Bj\u00f6rn (ed.). NOT AT YOUR SERVICE. MANIFESTOS FOR DESIGN. ISBN 978-3-0356-2272-0, E-ISBN (PDF) 978-30356-2275-1, Birkh\u00e4user Verlag, Basel, pp.319-329. https:\/\/doi.org\/10.1515\/9783035622751-017<\/a><\/p>\n\n\n\n

Jahrmann M (2020). LUDIC GAMES: PLAYFUL FORMS OF INSIGHT.<\/strong>
In: Teaching Artistic Research. Ed. Ruth Mateus-Berr, De Gruyter, Berlin, pp 30-40. https:\/\/doi.org\/10.1515\/9783110665215-006<\/a><\/p>\n\n\n\n

Jahrmann M (2020). Augmented Play, Art, and Space. The Cognitive Coupling of Avant-Garde Games with Unexpected Mental Spaces.<\/strong>
In: Architecture | Volume 50. The architectonics of game spaces. Eds. Gerber A, G\u00f6tz U, Transcript, Berlin, pp 249-265. https:\/\/doi.org\/10.14361\/9783839448021-017<\/a><\/p>\n\n\n\n

Jahrmann M (2020). Expanded Game Art and Neurointerfaces as Means of Produsage.<\/strong>
In: Playful Participatory Practices. Theoretical and Methodological Reflections. Eds.: Abend, P, Beil, B, Ossa, V, Springer Fachmedien Wiesbaden, pp 131-147. Preprint available at https:\/\/doi.org\/10.31235\/osf.io\/qn65k<\/a><\/p>\n\n\n\n

Jahrmann M (2020). PLAN A for I\/motions. Die Kunst des Spiels mit Emotionen und neuen Formen der Kognition.<\/strong>
In: Machines Like Us. Reader Donaufestival. Ed. Thomas Edlinger, Falterverlag Wien, pp 95-103.<\/p>\n\n\n\n

ARTISTIC WORKS<\/h2>\n\n\n\n

1. Jahrmann, M, Glasauer, S (2023). KOPFGELD. LUDIC EIGENFACE CURRENCY CONVERTER GAME | RE:PUBLICA Berlin.<\/strong> Installation Kreuzberghalle Berlin. KOPFGELD,. https:\/\/re-publica.com\/de\/session\/kopfgeld-ludic-eigenface-currency-converter-game<\/a><\/p>\n\n\n\n

2. Jahrmann, M, Glasauer, S, Luif, G, Moswitzer, M (2023). [A]I MAZE. Das Spielerische AI Labyrinth. <\/strong>Installation.  A MAZE. 12th International Games and Playful Media Festival Berlin.<\/p>\n\n\n\n

3. Jahrmann, M, Glasauer, S, Kedl, T (2022). Nubes Mental. Objeto de Juego.<\/strong> Invited artist at 14th Biennale de Habana. http:\/\/www.wlam.cult.cu\/page57.html<\/a> <\/p>\n\n\n\n

4. Jahrmann, M., Glasauer, S, Moswitzer, M (2022). PARALLEL VIENNA \u2013 KOPFGELD. AI, Haut, Print-Out Fahnen (160 x 90).<\/strong> In: Parallel Art Fair, Birth Room, ehem. Semmelweissklinik, Wien.<\/p>\n\n\n\n

5. Jahrmann, M with students of Experimental Game Cultures (2022). Avatar S\u00e9ance. AR Game Release<\/strong> @CIVA Festival. In: Belvedere 21 Vienna. <\/p>\n\n\n\n

6. Jahrmann, M, Glasauer, S, Wagensommerer, T (2021). SPIKE_Clouds_Climate.Mind. Play concert performance for non-human actors and various minds.<\/strong> Performance, Festival #Hybrid Play #RealityCheck, Festspielhaus Hellerau Dresden. https:\/\/www.hellerau.org\/de\/event\/spike_clouds_climate-mind\/<\/a><\/p>\n\n\n\n

7. Jahrmann, M, Glasauer, S (2020). Neural Net Play \u2013 AI Emotion Play<\/strong>. Installation at exhibition \u201eLeben im Netz\u201c, Re:Publica Berlin.<\/p>\n\n\n\n

8. Jahrmann, M (2019). AAA PROFILER\u2014 SUBLIMINAL GAME ART<\/strong>, Augmented Reality App\/ Game Installation, exhibition \u201cUnderstanding Artistic Research\u201d, Building Bridges Art Exchange gallery, Bergamot Station, Santa Monica, LA. <\/p>\n\n\n\n

9. Jahrmann, M, Glasauer, S, Knorr, Gazorz (2019). Epicycles of Collective Motion.<\/strong> Installation Art Exchange Show, Tate Gallery London.<\/p>\n","protected":false},"excerpt":{"rendered":"

Featured Projekt in Scilog, das Wissenschaftsmagazin des FWF, 11.09.2023 “Technische Entwicklungen dringen immer mehr in pers\u00f6nliche Lebensbereiche vor. Das wirft gesellschaftlich relevante Fragen auf. Um diese sichtbar zu machen, nutzt Margarete Jahrmann als k\u00fcnstlerisch Forschende einen spielerischen Ansatz: Mit ihrer \u201eLudic Method\u201c und mit Live-Performances motiviert sie zum Nachdenken \u00fcber Gehirnscans, Privatsph\u00e4re und Flowzust\u00e4nde.” https:\/\/scilog.fwf.ac.at\/magazin\/das-spiel-mit-den-gehirndaten […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-244","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/neuromatic.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/pages\/244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neuromatic.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/neuromatic.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/neuromatic.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/neuromatic.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/comments?post=244"}],"version-history":[{"count":7,"href":"https:\/\/neuromatic.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/pages\/244\/revisions"}],"predecessor-version":[{"id":253,"href":"https:\/\/neuromatic.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/pages\/244\/revisions\/253"}],"wp:attachment":[{"href":"https:\/\/neuromatic.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/media?parent=244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}